How to Paint the Effects of Moonlight

by Becky Joy on May 11, 2012

How to Paint the Effects of Moonlight

The featured painting is “Moonlight, Tombstone” 11″x14″ oil

The light from the moon is a weaker source than the sun causing the light to appear cool to our eyes. Unlike the sun, there is usually no reflected light. Although, in some instances snow will cause some reflected light on a clear night with a very bright moon. The value range in a moonlit scene is diminished to about two thirds of the spectrum. Colors become grayer and cooler.  And, edges are softer.

Toward the foreground the colors will become more saturated and closer to their local color. There is a multitude of grays in a moonlit scene and the darkest darks can be either warm or cool. Generally, the colors that are exposed to the light of the sky will be cooler than their local color.  The rule lights are cool and shadows warm applies here. Black can be mixed with colors to gray them, but don’t use black in itself. There are subtle differences in colors.

If you are painting the moon itself, the color is not just white. It can appear a bluish color, yellow, orange or pink and will vary slightly in values over the surface. The moon will also have a glow around it, causing the sky to appear a green color from the yellow or a reddish color, depending on the color of the moon.  The sky can vary from a bluish dark to a violet. If there are city lights, the horizon will pick up some of the warm lights in the color.

Remember that the moon light is directional. So, the sky can vary in color and value and an object will show the source of light with varying values and slight temperature changes. But, it is all very subtle in a moonscape.

Below are some paint swatches in bright daylight. I took the same swatches and manipulated them in photoshop, making the value range less and darker. I cooled the colors with blue and made the colors less saturated. This will give you some idea what moonlight will do to the colors. This is just a generalization and certainly not true for all night scenes or all colors in the same painting.

Daylight

Moonlight

Daylight

Moonlight

 

The blog, Illustration Art has a post about Remington’s night scene paintings.

As far as equipment, I use two clipon  booklights, one on the canvas and one on the palette. I have found that at times I have to turn them off for a while, especially on bright moonlit nights. Sometimes it is easier to see the values comparing them with the lights off. And always, I need to check the painting the next day. Sometimes, it’s a surprise.

Image Detail

 Nocturne in Blue and Silver: The Lagoon, Venice ,1879-1880 by James Abbott McNeill Whistler. Oil on Canvas. Museum of Fine Art, Boston.

Image Detail

James Abbott McNeill Whistler

Becky Joy

http://beckyjoy.com

beckyjoyartist@gmail.com

Related posts:

A Page From my Sketchbook, Value Studies

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Video, Which Art Shows to Enter

by Becky Joy on May 9, 2012

Video, Which Art Shows to Enter

Hi everyone,

Recently someone emailed me a question asking which art shows she should enter and how to find the right ones. The answer would be different for each artist. For myself I looked at artist resumes to learn about different shows. I made this video to answer that question and tell about my own direction.

I hope this gives you some useful information.

Becky Joy

http://beckyjoy.com

beckyjoyartist@gmail.com

 

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The Plein Air Convention, Finally all about it

by Becky Joy on April 30, 2012

The Plein Air Convention, Finally all about it

It’s been a week since I got home from the The First Annual Plein Air Convention and Expo and my painting trip at the Grand Canyon. I wanted to post something on this earlier, but I spent a few days catching up on work, shipping paintings, a commission, sifting through information, resting, and just trying to absorb some of the information. It seemed and still seems like a daunting task to put all that went on and what I learned into one post. Maybe I’ll tell you something different that you hadn’t heard about.

It was a whirlwind of activity during the event. I came away with a excitement, but a lack of sleep. I scheduled a painting trip to the Grand Canyon afterward, but it may have been wiser to head on home and get some sleep. When I did get home I needed a few days to unwind and sleep.

My friend, Debra Groesser, and I shared a room in Vegas. Each morning we got up early for Eric Rhoads’ (the publisher of Plein Air Magazine) Marketing Bootcamp. It was packed with information, although with a lack of time some of it was brief. The 3 part workshop was recorded and some parts will be expanded on and rerecorded. I’m anxious to get the video and go through it all again.

Ken Auster getting ready to paint.

The convention opened with Elvis performing. Hey, it’s Vegas, who else would be there.

Some of the artists that I got to see demonstrate were Ken Auster, painting a large painting in such a short amount of time, impressive, Matt Smith, Kim Lordier, Camille Przewodek and Ned Mueller. Ned and Camille were on stage together, it was a treat to watch them paint, but also to listen to the comedy routine between them. Russian Master, Nikolai Dubovnik demoed on stage. A bit of wisdom he imparted was to be able to throw a stone from your focal point to the front of the canvas.

There were lectures and slides by Scott Christensen, Clyde Aspevig, Jean Stern and Richard Ormond, the leading authority on John Singer Sargeant. All of them were so inspiring. Clyde’s lecture was very moving with his love for the land and nature. I think it really struck a chord with a lot of artists, including me. Each day was packed with informative and exciting events. And it was so wonderful to meet some of the artists that I’ve read about and “friended” on facebook.

Eric Rhoades gathering us all together for the group photo.

In addition to the demos and lectures, there were vendors there such as Gamblin, my favorite framer, Randy Higbee (King of Frames), Judson Art Outfitters, Raymar Art and Rosemary Brushes among others. Robert Gamblin and Carl Judson were manning their booth, as was Randy Higbee in his. Their were deals on products and lots of information from the vendors. At the end of the Convention, The Plein Air Painters of America awarded Steve Doherty, the editor of Plein Air Magazine,  a Lifetime Achievement Award.

There were some impromptu art happenings during the event also. Cory Trepanier showed up to speak about plein air painting in the artic and showed a movie of his experiences. Alexey Steel and Gil Dellinger painted a portrait of Pierre Sennelier in the trade show room. Yes, the Sennelier family that provided the paints for Gaugin and Cezanne.

The next morning we got up and boarded the bus for Red Rocks Park. I was totally blown away by the beauty of the area. I didn’t expect to see this so close to Vegas. The weather wasn’t what we had hoped for. It was raining off and on, cold and windy. I did hear that some artists even experienced snow. I stayed down lower on a hill to get out of the wind, but I didn’t escape the rain. My second canvas I had to wipe off twice to get a good start.

This was my first painting of the day.

The second painting after wiping it off twice.

The next and final day we went to Bonnie Springs in the Red Rocks. The weather was perfect. I stopped at the lower location and painted the mountain (that I couldn’t see much of the day before). After painting I walked up to the western tourist town to look around and to meet some of the artists. There was so much to paint up there, I wish I had gone on a little further and not been so anxious to get out and paint immediately. There is just never enough time to fit everything in, but this certainly had as much as I could handle in four days.

Bonnie Springs, Red Rocks

Eric also announced the location for the Second Annual Plein Air Convention and Expo for 2013. It will be held at Pacific Grove, CA at Asilomar. I was so pleased with the first convention that I certainly plan on being at the next one.

The next morning, I took off for the Grand Canyon with my friends Hai Ou Hou of Maryland and Peggy Immel of Taos in another car. Deb Groesser wasn’t able to continue on with us this time, but we will be meeting up in May in Taos for the Plein Air Artists of Colorado Annual Show. But, these are other painting adventures.

Hope to see some of you next year at the Second Convention.

Becky

 

 

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Linocut Prints by Julia Forsyth

April 25, 2012
Linocut Prints by Julia Forsyth

Fifties Chickadee, prints available I met Julia on twitter and was intrigued by her art. I had made simple block prints in school, but didn’t know a lot about it.  I checked out Julia’s youtube tutorial videos showing how she makes her linocut prints.  I thought I would pass them on to you. To see [...]

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Painting Atmosphere Light and Weather.

April 12, 2012
Painting Atmosphere Light and Weather.

Atmosphere and light is important in my paintings.  Light, distance and atmosphere affect, texture, edges, value and color, making things in the distance appear grayer, softer, and less distinct. As things move closer to you, the colors become richer, and the edges seem sharp and crisp. Direction of light and shapes of clouds can be [...]

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My Friend Carla is Now a Painter!

April 11, 2012
carla

I wanted to tell you about my friend, Carla. I have known her for years, probably 25 to 30 years. We worked together as hairdressers years ago. (It’s been about 20 years for me now that I worked as a hairdresser.) During all that time I had no idea that Carla could even draw and [...]

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Tips for Mixing Paint Colors with a Limited Palette

April 9, 2012

I use a limited palette, using the typical warm/cool palette. You might want to look at my list of Oil Painting Supplies for Beginning Painters. The colors on my palette are cadmium yellow light, cadmium yellow medium, cadmium red light, alizarine crimson, ultramarine blue, cerulean blue and titanium white. Each of those colors has another [...]

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Working in a Theme Stretches Your Possibilities

April 9, 2012
Working in a Theme Stretches Your Possibilities

Artists begin working on series often without realizing it. Their obsessions are fueled by an emotional attachment to a concept or to a place. We want to learn all we can about it and to do our best. We start our artistic journey developing skills and techniques which are necessary to express ourselves. As time [...]

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Create a Scrapbook of Inspiring Images

April 3, 2012
Create a Scrapbook of Inspiring Images

I started with stacks of art magazines. When they became overwhelming, I started cutting out the images that I really liked. I would stuff them into a shoe box and thumb through them when I needed some inspiration. Eventually that shoe box gave way to a notebook. I placed the photos into plastic sleeves. Over [...]

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Making the Unremarkable Landscape a Remarkable Painting

March 29, 2012
Making the Unremarkable Landscape a Remarkable Painting

Featured painting: The Path, 9″x12″ oil by Becky Joy Take a scene almost at random, challenge yourself to creating a remarkable painting. Find what is important to the scene, leave some out, emphasize other elements. Look for patterns, close ups, color shifts. Make 3 sketches of the same scene, each different. If you would normally [...]

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Improvisation and Invention in Painting the Landscape

March 25, 2012
clouds, light fog, stream, mountains, field trees art

There is a definite different between painting outdoors on location and painting in the studio. Outdoors you are painting directly from nature, responding to what is in front of you. There is the process of screening, editing and making choices about what to exclude and what to reposition.  In the studio using your imagination, it [...]

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Find A Statement in Your Painting

March 22, 2012
Find A Statement in Your Painting

First, what do you really want to paint? What is interesting about the scene? What may be the best way to portray the scene. The statement in your painting is your reason for painting a scene. The reason could be the interesting shapes created by the light and shadow. Or, it could simply be the [...]

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Premixing your colors Good Idea or Not?

March 21, 2012
Premixing your colors Good Idea or Not?

There are a lot of opinions on premixing your colors. I have found that at times it is advantageous, but most of the time I don’t. I’m not talking about mixing tubes of paint, but mixing piles of paint on your palette. You can predetermine the colors that you will have in your painting and [...]

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Squint and Step Back

March 18, 2012
Squint and Step Back

Two of the most important words I can tell a painter, well three. Squint and step back By squinting you will be simplifying leaving out details , see edges, hard and soft. You can then observe the large shapes and masses that you’ll want to translate to your canvas. You will create the essence of [...]

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Painting tree trunks, branches and lines

March 15, 2012
Painting tree trunks, branches and lines

I often use a palette knife to paint lines, sunlight on a tree trunk, the sunlight on a cactus, branches, electrical lines, any kind of highlight. I seem to find it easier to get a fine, straight line with a palette knife rather than the brush. It seems whenever I pick up the brush for [...]

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How to Decide What Color to Tone a Canvas

March 14, 2012
How to Decide What Color to Tone a Canvas

Toning a canvas is deadening the white of the canvas by adding thin color, usually in a light to mid-range value. What color to use? This is a difficult question and especially perplexing for beginning painters. There are many answers. Some artists always tone their canvases with the same color. Others vary it from painting [...]

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River oil landscape painting

March 8, 2012
River oil landscape painting

“Flowing River” oil 6×6″ $100. Click here to bid. Hi everyone, I started this painting as an example for one of my students in my online workshop to show her a couple of points. This morning I looked at it and liked what I had started. So I repainted it and filled it out more having [...]

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Stir Your Imagination, tips from Art Workshops Online

March 7, 2012
Stir your imagination

What do you do to stir your imagination? Do nothing, contemplate, and it will come Put yourself in a new environment Write about your art Go through your collection of favorite photos or things Go for a walk Participate in a painting challenge Go to youtube to view art Visit the local galleries or museums [...]

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Aspen Painting stretching my style

February 29, 2012
Aspen Painting stretching my style

Lately, I have been embarking on a new direction. Well, sort of. It’s applying more paint to the canvas. I’ve tried before, but it didn’t stick. This time, I feel there is a new found boldness and more knowledge in my painting, making it much easier for me. Last weekend an artist friend of mine, [...]

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Should You Tone Your Canvas or Not? Techniques for Toning

February 27, 2012
Should You Tone Your Canvas or Not?

Some artists do it and some don’t.  Toning the canvas that is. Some of the reasons to tone a canvas are as follows: You may simply not like the stark white surface when starting or find it distracting. It can help unify a painting, especially in the early stages before all the areas are covered. [...]

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Zion Plein Air & Carmel Plein Air Festival

February 24, 2012
Zion Plein Air & Carmel Plein Air Festival

Zion Cottonwoods 6″x8″ oil $150. To buy click here. I reworked this small plein air from a trip to Zion Park, UT. I liked the original painting, but I had a little too much going on. So, I did some editing. It was a hot day and the shade of the big cottonwoods trees and [...]

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How to Analyze Your Painting Before You Start Plein Air Painting

February 22, 2012
How to Analyze Your Painting Before You Start Plein Air Painting

1. Dress appropriately, make sure that you are wearing neutral clothing and no whites. 2. Then have a clear vision of what you want with your painting before you start. 3. Make sure that your palette and canvas are out of the sun. Keep in mind how the sunlight will move. 4. Make note of [...]

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Preliminary Drawing Technique for an Oil Painting

February 20, 2012
Preliminary Drawing Technique for an Oil Painting

My drawing techniques for my paintings are very loose lines just indicating the position of objects. I also try to get the movement of lines through the painting and indicate placement of trees, mountains and buildings. If your drawing is very detailed indicating each object and every branch, your tendency will be to paint the [...]

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My Week in the Workshop with Bye Bitney

February 15, 2012
My Week in the Workshop with Bye Bitney

Last week I had the wonderful opportunity to take a workshop with Bye Bitney at the Scottsdale Artists School. I have admired Bye’s work for years, always seeking it out when I would go to the Long Gallery in Scottsdale (which has been closed for a few years) I love the looseness and edges in [...]

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Loosening my Style from a Painting Workshop

February 14, 2012
Loosening my Style from a Painting Workshop

Teapot and Teacup  11″x14″ oil on canvas panel I recently took a workshop from Bye Bitney in an attempt to loosen my style up a bit. I would like to have parts of my painting almost have an abstract quality to them and I have always loved brushwork. This is my attempt to loosen up [...]

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Soft Pastel Tutorial by Paula Ann Ford

February 13, 2012
Pastel Tutorial by Paula Ann Ford

I recently asked Tennessee pastel artist, Paula Ann Ford, if she would like to do a demo for my blog. I was amazed at how thorough she was and what a great tutorial this is. I hope that you enjoy the process as much as I did. Soft Pastel Demo by Paula Ann Ford www.paulaford.com [...]

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Double Clip to Hold a Photo While Painting

February 12, 2012
Double Clip to Hold a Photo While Painting

Recently when I was taking a workshop at Scottsdale Artists School, I saw a handy little tool that one of the students in the class was using. We were painting from photos the first day of class. She had this little double clip attached to her easel, one clip on the easel, another holding the [...]

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Art Tip for Getting the Brightest Color Where You Want It

February 10, 2012
Art Tip for Getting the Brightest Color Where You Want It

Of course you want to reserve your brightest, purest, most saturated color for your focal point, but sometimes it seems that you just can’t get it bright enough. Well, put down your brightest color for your first stroke. Then every other color after that will be less saturated. For instance if you have a little [...]

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Proper Care for your Art Painting Brushes

February 6, 2012
Proper Care for your Art Painting Brushes

Do you take proper care of your important art tools, brushes? There are proper ways to clean and store your painting brushes. Storage is as important as how you clean your brushes. Store in the upright position whenever possible and let air get to them to prevent molding of damp brushes. Also keep them away [...]

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Plein air Best of Show & Salon International acceptance

February 5, 2012
Plein air Best of Show & Salon International acceptance

Hi everyone, I’ve had a great week, but busy one. I’ve had two commissions to finish, which should be tomorrow. Today I took some time off to do to a plein air event in Glendale, AZ. The city hosts a one day plein air show. Last night I decided I had better go to it, [...]

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Brushes, such an important artist tool, a constant search

February 3, 2012
Brushes, such an important artist tool, a constant search

It seems as though I have always been on the search for painting brushes. The perfect brand of brush that will do whatever I will it to do. Am I asking too much? Am I expecting the brush to do more than I do? Will it save me work? Well, I know a good brush [...]

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Make a Check off List for Your Art Techniques

February 1, 2012
Make a Check off List for Your Art

Years ago, before I started taking workshops from nationally known artists, I thought I was a pretty good artist. Yes, I had some talents, but there was a lot of techniques missing. I had a wakeup call at a big art show when I wasn’t selling well. I took a serious look at my oil [...]

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A Mobile Studio for the Nomad Plein Air Artist

January 30, 2012
A Mobile Studio for the Nomad Plein Air Artist

As a plein air artist, I set up what is essentially a mobile studio for a nomad artist. I love going on painting trips and immersing myself in painting non stop. I find that I am more productive during these trips than I am at home working from my studio. I always end the week [...]

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Impressionist oil landscape painting Arizona Canyon

January 29, 2012
Impressionist oil landscape painting Arizona Canyon

“Arizona Wash” oil 11″x14″ $600. Click here to buy. I spent the day in the studio painting and preparing canvases. I needed to record a video for my online workshop working on brushwork. I chose a photo to work from. I was drawn to the bright yellow trees in the wash with the contrast of [...]

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A Page from My Sketchbook, Value Studies

January 28, 2012
A Page from My Sketchbook, Value Studies

I’ve talked to my students about value studies lately. So…. a page directly out of my sketchbook. There are more, lots more. I used 4 bottles of a craft acrylic paint, black, white, and two grays. Sometimes, I used the same sketch painting it with different lighting and values, creating different moods. Take some of [...]

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Painting from small to big in the studio by Becky Joy

January 26, 2012
Painting from small to big in the studio by Becky Joy

 ”Rock Springs” oil 24″x30″ $2900.  Click here to buy. I starting painting this from a plein air painting that I had several months ago. I quickly blocked it in and did some work to it. I sent off the plein air painting called, The Source” oil 9×12″, to the American Impressionist Society National Show. The painting sold [...]

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Plein air oil landscape New River Arizona

January 24, 2012

Hi everyone! Kit’s Library of Visual Solutions 14″x11″ plein air oil $600. Click here to buy. I had such a fun time painting out on location today. Not the typical pretty picture, but a painting of metal “junk”. Or, as my friend Aryana says ” Kit’s Library of Visual Solutions”. I went to my artist [...]

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New to Painting? How and what you should start with.

January 24, 2012
New to Painting? How and what you should start with.

Recently I got an email from a 16 year old wanting to start painting in oils. She asked for advise on how to start and what kinds of products. I replied with some advise.  My father painted with pastels. I remember him telling me when he took a painting class, he was told so little [...]

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Arizona Centennial Celebration in Art by Becky Joy

January 23, 2012
Arizona Centennial Celebration in Art by Becky Joy

Hi, I thought I would let you all in on a project I have been working on. For the past year I have been working on an art project for the Arizona Centennial painting about the 5 C’s, copper, cotton, cattle, climate and citrus. Each of these industries have played an important part in the [...]

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Becky Joy, oil landscape fall aspen painting

January 21, 2012
Becky Joy, oil landscape fall aspen painting

Hi everyone, I finally finished this painting, a 36″x32″ oil. I started it about 6 months ago, lost interest or momentum on it. Set it aside. And got it back out yesterday. I worked on it yesterday, thought I was finished, but no. I went to photograph it today and realized I still needed a [...]

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Sunset oil landscape painting by Arizona Artist Becky Joy

January 20, 2012
Sunset oil landscape painting by Arizona Artist Becky Joy

Sunset Serenade 6″x6″ oil. Click here to bid at $95. This is another painting from my imagination. I wanted to have a green sky. The pink clouds contrast nicely with it. Today I had a great painting day. I finished two small paintings that are being set aside for the 5 C’s art project for [...]

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Create and Compose Art with the IPad by Janet Vanderhoof

January 19, 2012

I met Janet on twitter and saw her posting about creating art with her IPad and about the Nomad Brushes. Intrigued, I checked the post. I had never heard of using the IPad for creating art. Last year I took a workshop using Photoshop for the artist in composing. To me it was way too [...]

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Twilight oil landscape painting by Becky Joy

January 19, 2012
Twilight oil landscape painting by Becky Joy

I started with a photo of the water and trees to get the shapes. Then created a mood by changing the lighting and adding the house, lights and reflection. The photo was taken on the Swan River in Montana in Big Fork. I’m holding the painting back to submit to a show. This is an [...]

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Brown Onion Still Life oil painting

January 17, 2012
Brown Onion Still Life oil

Brown Onion oil 6″x6″ $95. Click here to buy.  A small daily still life painting, loosening my style after my workshop with Bye Bitney.   Becky Joy http://beckyjoyartist.blogspot.com http://beckyjoy.com beckyjoy@beckyjoy.com  

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Learning to See Color When Painting

January 16, 2012
Learning to See Color When Painting

The colors that we see everyday are “local” colors. The grass is green, a lemon is yellow. Pretty easy. Local color is the color of an object when viewed at a distance under normal lighting conditions. It is what we are taught as preschoolers. But this can be deceptive. Is the lemon all yellow? Are [...]

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Using a Mind Map for Business Planning

January 12, 2012
Using a Mind Map for Business Planning

The first of the year has come and gone and I am still working on the organization of my art business. I recently made a schedule of tasks to do daily, weekly, monthly and every once-in-a-while. (I’ve always been a great list maker) But, being an artist, I really need to have everything in front [...]

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Sedona Plein air painting

January 10, 2012

6×8 plein air oil landscape $150. Hi everyone, I painted this at dawn in Sedona. Some of the lower layers of rock are a lighter color appearing orange in the warm sunlight. I’ve been getting ready for shows lately and finishing paintings that are laying around in the studio. Sometimes they just seem to stack [...]

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BLUE SKIES, BLUE SKIES ¸¸.•*¨*•♫♪¸¸.•*¨*•♫♪

January 9, 2012
BLUE SKIES, BLUE SKIES ¸¸.•*¨*•♫♪¸¸.•*¨*•♫♪

In reality, blue skies have many more colors in them than a couple of tubes of blue paint. Of course there are all the other colors on a cloudy day, dawn or sunset. But what they all have in common is the combination of all three primaries. Of course, the blue sky has more blue [...]

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Scheduling Time in my Art Business

January 7, 2012
Scheduling Time in my Art Business

Like most artists I have been feeling overwhelmed and under productive lately. It seems that we have all been chasing every opportunity and market idea that we hear of. It’s difficult to keep track of all the things we have to do. I’ve seen all the marketing plans for artists out there and I get [...]

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Practice Doesn’t Always Make Perfect, Getting Good at Bad

January 5, 2012
Practice Doesn’t Always Make Perfect, Getting Good at Bad

How many times have you heard the old saying “Practice makes perfect”. We’ve all been taught this from the time that we first learned to play piano, played softball or learned our times tables. But, what happens when we don’t learn all the baby steps, the proper form, or the rules, we only practice skills [...]

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Mountain Light Oil sunset painting

January 3, 2012
Mountain Light Oil sunset painting

  Mountain Light oil 6″ x 8″ $150. Click here to bid. I made a little drawing over the weekend and had a definite concept in mind. I searched through photos and came up with a photo from Colorado with the meandering stream flowing through the valley. I played with the color and came up [...]

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Painting Nocturnes

December 29, 2011
Painting Nocturnes

Before the Christmas lights are all put away for 2011, I wanted to do a night time plein air. I thought I would show you my lights and set up. I took a photo before I started painting. In this photo you can see the two clip on light that I’ve used. They are mighty [...]

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Nightscape oil landscape painting

December 28, 2011
Nightscape oil landscape painting

Moon Rise oil 6″x6″ $95. bid on EBay. Click here to bid. Hi everyone, I guess I’m getting in the mood for nightscapes. I painted this one today while playing with color. I’ve always loved those orange rising moons. It was difficult to photograph this painting. The blues always photograph lighter causing the orange moon [...]

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Crystal Cove Plein Air oil Landscape Painting

December 27, 2011
Crystal Cove Plein Air oil Landscape Painting

Crystal Cove Beach House 6″x6″ plein air oil landscape Ebay, click here to bid. $95. I hope everyone had a Merry Christmas. I haven’t posted for several days. My son and his family came to town from Austin, TX. I had both of my kids and their spouses and my 5 grandkids here for Christmas, [...]

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An interview with landscape artist, Dot Courson

December 20, 2011
An interview with landscape artist, Dot Courson

I first met Dot Courson at a plein air event in Alabama. Dot is one of those sharing and caring artists. And, constantly has a stream of ideas going through her head. I have found a good friend in her that I have been able to bounce ideas around with. Her paintings have a tranquility [...]

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Plein Air Equipment

December 19, 2011
Plein Air Equipment

Merry Christmas and Happy Holidays to all of you. Lately, I’ve been thinking about a new easel. On the one hand, I’m trying to hold back that urge to spend money on something that I seem to be getting along with just fine now. Or….on the other hand,  just maybe life could be easier with [...]

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Superstitions Workshop

December 16, 2011

 A great day today. The weather cleared up just in time for the workshop that I taught at the Superstitions. It had been raining all week and happened to be nice today, a glorious day! The workshop went very well. Everyone got something out of it and one lady even said it was her best [...]

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Sunset painting photos in progress

December 13, 2011

Hi everyone, I played with color today. I thought I would post my source on this painting so that you could see how I often work. I had an old photo that I started with, then let my imagination take over with color. I’ve also posted a few photos of my progression of the painting. [...]

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FINDING YOUR STYLE

November 20, 2011
FINDING YOUR STYLE

As artists we talk about “style” all the time, but what does it mean. Wikipedia defines it as a “…distinctive manner which permits the grouping of works into related categories.” or It refers to the visual appearance of a work of art that relates it to other works by the same artist or one from the same [...]

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Brushwork Techniques in Oil Painting

November 6, 2011
Brushwork

As I was getting together material for a workshop that I was teaching, I realized that some of my students needed help in brushwork. I feel that brushwork is an exciting component of oil painting and helps define each artists work. Something I have done in the past is to take a clean white canvas [...]

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11 Tips For Oil Painters

November 4, 2011
11 Tips For Oil Painters

Following are some tips for the beginning oil painter, or maybe some new tips for the experienced painter. Oil painting Tip 1: Always lay out your oil paints in the same order, so that you can instinctively pick up the correct colors for mixing. Lay out a line of color, using from the end to help [...]

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Great Easel built for the Economical Studio

October 20, 2011
Great Easel built for the Economical Studio

An awesome studio easel built with a minimum of materials, heavy duty and holds paintings from 6″x6″ to 6 foot.

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Color Mixing Oil Paints

September 29, 2011
COLOR MIXING

I use a basic warm/cool palette with some extras thrown in for convenience and some colors that are more vibrant without mixing. Titanium White, Cad Yellow Lemon, Cad yellow med, Cad red light, alizarine, Cerulean and Ultramarine. I place all these together on one palette. To see how I set up my separate palettes click [...]

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Color Your World

September 14, 2011
Color Your World

By Diane Olsen, Professional Artist and Life Coach Imagine yourself to be your favorite color of paint.  What would that be? Red, blue, green, orange, purple or yellow?  Now imagine that you are about to be painted onto canvas by a master painter.  This master painter has travelled the ups and downs of the artistic [...]

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GAMBLIN ARTIST COLORS FACTORY TOUR

September 8, 2011
GAMBLIN ARTIST COLORS FACTORY TOUR

While visiting in Oregon recently, I took the opportunity to tour the factory of Gamblin Artist Colors. Scott Gellatly, the manager of product development and fellow plein air artist, was my guide through the factory. Scott was very knowledgeable about oil paints and products, their properties and the manufacturing process. It was a very informative [...]

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VALUES IN PAINTINGS, KEEP IT SIMPLE

August 31, 2011
VALUES, KEEP IT SIMPLE

In my last post, I spoke to you about large shapes. Today, I want to expand on that theme by speaking to you about values. Let’s keep it simple. Say that you have a painting with three shapes of varying sizes. Now, use three values, light, medium and dark. Each of those three shapes have [...]

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PAINT THE TREE, NOT THE LEAF

August 19, 2011
PAINT THE TREE, NOT THE LEAF

First published on Aug 19, 2011 on Empty Easel MAKE IT SIMPLE LARGE SHAPES I was reading a forum discussion recently about painting trees. . . it stood out to me because the artist was trying to paint each leaf, which reminded me of a time when my son was in grade school. His school [...]

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Progression of Painting a Late Day Sun

August 16, 2011
Progression of Painting a Late Day Sun

I started with a rudimentary drawing. Then blocked in the large dark shapes. The sun will come from the right, so that is the lightest side of the trees. dioxazene purple, sap green, cad red light, Permanent green light, cad yellow med and a little white. That’s it so far. Here I started adding my [...]

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DEFINITION OF PLEIN AIR AND ALLA PRIMA

August 10, 2011
DEFINITION OF PLEIN AIR AND ALLA PRIMA

First published on ezine.com on May 19,2011 “En plein air”, the French term, means to paint outside in the open air. To paint all in one sitting either in the studio or outside is called “alla prima”. Most plein air painting is done in one sitting, alla prima, but some artists continue to work on [...]

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11 Compelling Reasons to Write the Artist Statement for YOU!

August 4, 2011
11 Compelling Reasons to Write the Artist Statement for YOU!

Article first published at ezine.com. The mysterious artist statement, is it really necessary? Is it outdated or more important than ever before? I propose that it is more necessary today in this economy than it has been in the past. I had never put much time or thought into my artist statement until recently. And now, [...]

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HOW I FIND INSPIRATION

July 20, 2011
HOW I FIND INSPIRATION

This article  first appeared July 16, 2011 on the blog Seven Sentences Being aware of all the different sensations around me as I take a walk is a great way to provide some inspiration for painting, being “in the moment” as they say. Use your senses and really take in the world around you. The [...]

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KNOWING THE FRUSTRATION OF BEING AN ARTIST

July 4, 2011
KNOWING THE FRUSTRATION OF BEING AN ARTIST

First published on ezine.com on July 12, 2011 The progress of an artist is a continual self- sacrifice, a continual extinction of personality. – by Eliot, T. S.. Know what you do well. Know what inspires you. Know that small changes in your habits make small changes in your art. Know that big changes make [...]

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PHOTOGRAPHING MY ARTWORK

July 1, 2011
PHOTOGRAPHING MY ARTWORK

I have created a giant portable lightbox in my backyard to photograph my artwork. First I clip a sheet on each end to something higher than me, as in the photo. Then I set up my artwork on an easel under the sheet as in the second photo. I then mount my camera to a second tripod [...]

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GOLDEN RAYS SUNSET

July 1, 2011

A video demo that I recently recorded. As you probably know I paint a lot of sunsets. This is one of the latest sunset paintings. Notice the strokes of color one next to the other.

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Landscape oil painting in the studio

July 1, 2011
Landscape oil painting in the studio

  I painted this in the studio using my imagination. I started with a dark form creating the overall design. I used a large brush with alizarine and sap green, painting a rough shape without branches or trunks. I then went in painting negative and positive shapes and kept the edges soft. As I refined [...]

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Oil Painters of America National Show

June 10, 2011
Oil Painters of America National Show

Hi everyone from not so sunny Coeur d’Alene, ID. Well, sometimes sunny. The weather here is typical of the northwest at this time of year. It didn’t rain today, but it has been cloudy, sunny, a little rain, then cloudy again. It doesn’t make it easy for plein air painting, but I’m tryin’. Actually, it [...]

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HOW DO YOU FEEL WHEN YOU CREATE ART?

May 31, 2011
HOW DO YOU FEEL WHEN YOU CREATE ART?

First published on ezine.com on  May 31, 2011 I was recently talking to a friend of mine that is a creativity coach. Our conversation eventually went to what it means to me as an artist to create. She posed the question, “How do you feel when you paint?” We have had conversations about this before as have [...]

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HOW LONG DID IT TAKE YOU TO PAINT THAT?

May 31, 2011
HOW DO YOU MEASURE PRODUCTIVITY AND MANAGE TIME IN YOUR ART BUSINESS?

First published on ezine.com on May 17, 2011 Today I spent most of the day running errands and taking care of business. I didn’t get any painting done. Tomorrow I will be in the studio painting and hopefully getting a lot done. “They” say that being an artist is 50% taking care of business and [...]

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ARE YOUR FOCAL POINTS CLEARLY DEFINED?

May 31, 2011
ARE YOUR FOCAL POINTS CLEARLY DEFINED?

First published on ezine.com on May 23, 2011 Composition tips for painting A first, quick glance at your painting is important. Some questions to ask yourself may be: What is your eye immediately drawn to? Was this your intension? Does it make sense?  How can you more effectively define your intended focal point? You might [...]

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COMPOSITIONAL ELEMENTS OF A PAINTING/OPPOSITES

May 31, 2011
COMPOSITIONAL ELEMENTS OF A PAINTING/OPPOSITES

Compositional Elements of a Painting As I paint I try to keep in mind that a strong, interesting painting is strengthened by the use of opposites. I have at times used a list of elements to refer to that I taped to my easel. Following is a list of some of the things that I [...]

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Art Workshops Online

May 25, 2011

Coming soon in September Art Workshops that will be available online. Check back soon or email Becky Joy  at beckyjoy@beckyjoy.com for any questions you might have

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